man-made wonders
Why Pisa is one of the highlights of a trip through Tuscany
by tb on Mar.19, 2012, under art & architecture, Italy, man-made wonders, UNESCO sites & monuments
If you’re looking to sample the best that the Tuscany region of Italy has to offer, you certainly need to spend some time in Pisa. With its wealth of historic attractions, exciting festivals and amazing food, stopping here will definitely be the highlight of your trip to Italy and there are often many late deals to be found that can make your visit to Tuscany quite affordable.
Want to know what exactly makes the city so special? Read on to find out more!
Piazza del Duomo
There is no shortage of fantastic architecture and landmarks to be found in Pisa, but without a doubt the most famous ones are located at Piazza del Duomo.
As duomo is the Italian for cathedral, it really should be of little surprise that it is in this public square you will find the amazing Pisa Cathedral. Next to it is the iconic Leaning Tower of Pisa, with many people who see it taking a photo where it looks as if they’re holding it up – joining them in this makes for a classic souvenir. Climb to the top of the building to take in wonderful views of the rest of the city, as well as Piazza del Duomo’s other landmarks.
These include the 12th-century cemetery Camposanto Monumentale and the Baptistry of St John, two beautiful structures that have contributed to the square being nicknamed Piazza dei Miracoli, or the Square of Miracles.
Knights Square
Pisa’s Knights Square is another must-see while in the city. The former headquarters of the Order of the Knights of St Stephen, here you’ll discover the historic Church of Saint Rocco, which was built in 1575, and a statue of Cosimo I de’Medici, the first grand duke of Tuscany.
Museums and festivals
Of course, it’s not just Pisa’s astounding public spaces that make it a great place to visit on a Tuscany tour, it is also rich in culture and home to a wealth of amazing galleries and museums.
Situated on the banks of the River Arno is the wonderful Museo Nazionale di San Matteo (or National Museum of St Matthew), which contains numerous sculptures and paintings that date back as far as the 12th-century. The Lungarno Simonelli Museum, meanwhile, houses excavated Roman boats and other artefacts from this era.
If you time your trip to Tuscany right, you could arrive when one of Pisa’s vibrant festivals is taking place.
Each June 16th witnesses the Festa di San Ranieri, where the locals honour the city’s patron saint by lining the banks of the Arno with torches, while the Pisa Cathedral becomes the location of the International Festival of Holy Music every September with choirs from across the country performing.
Food
Tuscany is a region famous for its high-quality cuisine and Pisa’s no exception. Make sure you sample the best of what the area has to offer by trying local specialities like ciechi alla Pisani (baby eels in garlic and tomatoes). If you want a slice of pizza – you are in Italy after all – visit Il Montino and have the cecina, which includes chickpeas as a topping.
Exploring the rest of Tuscany
By booking car hire from Pisa Airport, you’ll be well-placed to see the rest of Tuscany – whether you choose to visit other bustling cities like Florence or wish to explore smaller towns like Cecina and Empoli.
Whether you’re planning to make Pisa the mainstay of your time in Italy or you’re keen to see lots of other places too, leave a comment and let us know!
Dzong, the fortress style of architecture of Bhutan
by tb on Oct.09, 2009, under Bhutan, Bhutan architecture, man-made wonders
Inclined walls of the Punakha Dzong
Those with profound interest in architecture and decorative arts will find Bhutan a truly fascinating and inspirational place to visit. The architecture of Bhutan carries overtones of design features patterned on those of Tibet and the Himalayas in general, however, in Bhutan they developed clearly Bhutanese characteristics.
While Tibetan fortress style of architecture permeates the house, temple and monastic style of architecture from Ladakh in the Western reaches of the Himalayas to Kham region of Eastern Tibet, and is found north as well as south of the principal chain of the High Himalayas, in Bhutan the dzong, the fortress style of architecture, stands in a category of its own.
Massive in style, Bhutanese dzongs are essentially structures containing administrative offices of the government as well as temples and housing quarters for resident monks. Surrounding interior courtyards, the dzong exterior walls are typically slightly inclined in style of European medieval castles.
Dzongs of Paro, Thimphu, Punakha, Trongsa, Jakar, Trashigang, Mongar, or Simtoka Dzong near Thimphu all impress in their layout, lavishly decorated woodwork within, display striking carved posts and beams, nooks and niches harboring votive images, and above all by being sited in commanding positions, either at the confluence of rivers, on hilltops or spurs.
Trongsa Dzong
Wangdi Dzong
Temple within interior of a dzong
Intricate decorations on a dzong couryard building
Punakha Dzong
Thimphu Dzong
Exterior wall, window and main entrance balcony of the Punakha Dzong
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Taj Mahal & Fatehpur Sikri, Must See Gateway to Magic Rajasthan
by ph on May.28, 2009, under art & architecture, Asia, Destinations, History & Culture, India, Journeys of a Lifetime, man-made wonders, Tours, UNESCO sites & monuments
Many first time vistors to India crave to visit the legedary Taj Mahal and do so often as only a daytrip from New Delhi, ariving there at midday when sun is high and the grandeur of this remarkable site is diminished. It’s a shame as Taj must been seen at least twice, once in the late afternoon when shadows are long and next at sunrise.
A world heritage site, UNESCO described Taj Mahal as “the jewel of Muslim art in India”. Often considered the pinnacle of Mughal art, the Taj was built by Emperor Shah Jahan for his beloved wife Mumtaz Mahal. There are few words that can describe the spleandor of this monument, hence viewing it at the ideal times of the day are an absolute must to soak in its full magnificance .
After early morning visit of Taj Mahal it’s best not to return to Delhi but continue to Fatehpur Sikri. Only one hour driving time away from Agra, Fatehpur Sikri was the 16th century capital of the Mughal rulers and the great Mughul Emperor Akbar had intended it to be the grandest capital city of the the world. Built entirely of red sandstone he came close to succeeding and Fatehpur Sikri served as his capital for 15 years until it was abandoned after his death in 1585 due to water scarcity in the area.
Undisputedly the magic of Rajasthan accounts for some of the most memorable impressions of India and Taj Mahal and Fatehpur Sikri are but gateways to what lies ahead. From Fatehpur Sikri one can proceed to Bharatpur, only one hour further down the road, and beyond will lure such sites as Ramathra Fort, Ranthambore National Park, Bundi, Pushkar, Jaipur, Jodhpur, Bhainsrorgarh, Udaipur and much more.
Travel in Indonesia: fascinating Tana Toraja culture of Central Sulawesi
by ph on May.20, 2009, under art & architecture, Asia, Destinations, Indonesia, island hopping, man-made wonders, remote regions, Sulawesi, unique islands, Vernacular Architecture




In the remote parts of Central Sulawesi of the Indonesian archipelago, an-odd shaped island resembling a hunched-over letter “k”, under the Dutch known as Celebes, there can be found a saddle-roof style house type built on piles. Depicted on Dong Son drums as far back as 500BC-AD100, its origin suggests being of mainland Southeast Asia. The region is known as Tana Toraja, or Torajaland, and the characteristic house style is referred to as “tongkonan” – a traditional ancestral house of the Toraja people that inhabit these mist-shrouded valleys, averaging some 3000 feet above seas level. Visiting Sulawesi’s Toraja region is easily done from Bali and the experience is always a highlight of travel in Indonesia.

Of tongue-and-groove construction, using no nails, bolts or other metal fasteners, the traditional houses are built on solid tree trunk piles high above the ground to safeguard against rodents, snakes and dampness of the tropical ground. It is the massive roofs, covered in a layered bamboo, today often by corrugated iron, that immediately catch one’s attention. The research shows that these proto-Malay peoples have originated from Cambodia. Their own lore and legends claim that their ancestors crossed the high seas to the north, suggesting they embarked off the coast of Southeast Asia. Their stories tell of storm having diverted their boats to shores of Sulawesi, thrown ashore the people used them as roofs.
Fact is the characteristic house type Toraja build over centuries developed only in the interior mountains that surround fertile plateaus and valleys where they live. Due to the remoteness of the region, even today some seven hours by road to the main urban port of southern Sulawesi, the mountains have protected lifestyle and customs, which have changed relatively little to this day.
A legend has it that the roof shape as well as the general shape of the house is patterned on the ships on which they sailed from their ancestral homeland. On another hand, closer look at their culture reveals worship of buffalo, which is a symbol of fertility, strength, and a protection from evil, and its horns decorate the gables of Torajan houses, hence the other theory has it the roof shape is that of a buffalo’s horn.
Whatever the shape’s origin the houses truly look as if they could sail, their sweeping roofs, especially when constructed closely together, the front of the house facing north, the direction of the ancestral homeland, look like ships moored at port. Opposite the houses are rows of granaries, too constructed in the same shape and on piles, often lavishly decorated. The uniform site plan of villages, compact settlements of freestanding structures set in a row, are precisely laid out as if based on well-thought out principles of a subdivision design.
The house type is always elevated off the ground but in some villages the front of yet longer and broader roof is supported by a massive pillar ever more so giving the house the appearance of a ship.
The interior of the house is quite simple, consisting usually of three rooms – a living area, kitchen and sleeping quarters. As there is no chimney soot of the large fire pit cooking area covers the beams and rafters.



Every house, typically on the front facade but often also on the side of the house, adorn horns of buffalos. The family status is usually shown by the number of horns mounting the house, the more there are the higher the merit and status for the family, attesting to many sacrifices, feasts and ceremonies performed by the family to which many guests have been invited.
In the ancient times, the old, “adat” ceremonies and animistic rites, practiced by the Toraja until the arrival of Christian missionaries, not only buffaloes were sacrificed but people as well. As in many other cultures of the Indonesian archipelago, from Sumatra to Timor, headhunting was part of animistic practices. Its existence shows relationship to headhunting practices of ancient cultures of South and Southeast Asia, further substantiating the roots of origin of the island cultures, whether of Indonesian or Philippine archipelago. Although buffalo and pig sacrifices have replaced human heads and the animistic religion has for the most part been diluted, reasonably strong adat practice still continues to this day and is practiced by about 25% of the Toraja people. Much of the traditional animistic practices take place during the funeral ceremonies called the Feast of the Dead. The practice is sustained by the Toraja inherent belief in afterlife, called Puya, or the Land of the Dead, where everyone is believed will live under the same conditions as he or she did on earth, a belief that spurs every Torajan to attain as much wealth as possible during his lifetime. Another belief of note is that the Toraja people believe the souls of animals will follow their masters into heaven, thus the buffalo sacrifice is in a way not perceived as taking of life as such but rather as an act which is only a temporary state of parting between man and beast and the two will reunite once again at death.

All Toraja houses are richly decorated in a maze of geometric ornamentation in ochre-red, black and white as well as a profusion of symbolic carvings representing aspects of ancestral worship, known as Aluk Todolo. Traditionally people were only allowed to depict motives characteristic of their social status or cast, whether that of the Tokapua or the noblemen, the Tomokaka or a middle-class tradesmen, or the Tobuda, the commoner, usually a farmer. Today people add designs expressive of their lifestyle as well as profession.









Most Toraja people are Christians, both Catholics and Protestants, and the church spires dot the horizon of the villages. Only about ten percent are Muslim, and in fact Muslim religion dominates the coastal areas as well as many deep valleys surrounding the Toraja region as such. All in all Toraja continue to practice highly ritualistic religious ceremonies including the rites of fertility, marriage, birth and death.


The Torajans believe that when a person dies, the soul leaves the body but remains restless until the burial ritual has been completed. Often a time much of family’s wealth can be spent on staging the finest, most elaborate funeral they can afford, a strange blending of solemnity and celebration. Today the Toraja may bury their dead in the ground but the traditional burial was by placing the body in a casket that was taken into a small structure shaped like their house before being moved to its final resting place inside a cliff-side grave. The caskets were inserted inside cave-like chambers although often left to protrude on specially constructed balconies high above the valley floor. As over time many caskets fell, the ground below is littered with bones and skulls. On the balconies are displayed “tau-tau”, the wooden effigies of the deceased, typically set in rows as puppets they stand gazing over the countryside.
There is definitely more to Indonesia than Bali and visiting Sulawesi and Torajaland should not be missed. On your next trip to Bali or elsewhere in Indonesia include Sulawesi in your itinerary!




